Cast brass guard

Commonly, Chinese sword guards were fabricated from sheet metals and brazed or forge welded. The following example is of a one-piece casting, and probably dates from the late Qing. The four lobe design was a popular one in the Ming and Qing Dynasties and it can be found on both jian and dao.

The hole for the tang is a trapezoidal in shape, indicating that this guard was once fitted to a dao blade.

Dao guard with casting defect

 The top lobe of the guard (above), has a void in the brass where the molten metal didn't fill the mould completely.

The guard has been roughly fashioned without taking time to make it truly symmetrical, and the thickness of the rim is quite variable. This is normal for the fittings of ordinary Chinese swords. In contrast, modern reproduction fittings are usually pretty neat and pretty accurate in their symmetry. I prefer the crude, rustic charm of the old ones.

The cast surface on the inside of the rim is quite irregular

This brass guard was not brightly polished, it had been covered with black paint/lacquer. In the left lobe (below), there are two patches where the black coating has peeled away. The parts in the centre where the brass is showing bright, were caused by the loose hilt rubbing away the coating and patina.

Dao guard covered in paint / lacquer

      Dimensions:

Length - 3 6/16" (85mm)

Width - 2 1/4" (56mm)

Depth - 1/4" (7mm)

Weight - 105g

Precious wood jian hilt

Here a few pictures of the previous jian hilt. This hilt was made later than the blade, and is of a fairly rustic manufacture. It is difficult to the age of the blade, but given the amount of polishing it has had, I would estimate it to be mid-Qing or earlier. This is a well forged blade that has obviously been treasured, and has been re-hilted with precious wood, probably in the late Qing. The wood is very dense and very hard, and is most likely to be a Huali, but if anyone can positively identify it, I would be most grateful.

Huang huali wood?

The brass guard is ellipsoid in shape, and has been made from two pieces: a flat piece forming the body of the guard, and a strip bent around to form the rim. The picture below shows the join where the two pieces were brazed together, and also shows the diagonal scarf joint in the rim. The ferrule was formed from one strip of brass. The strip was bent to shape leaving an overlap and then the overlap was brazed.

The wooden pommel was made from one piece and the wooden grip was made in two halves. The grip sections may originally have been glued together. There is now a visible gap between the sections of the grip. This has been caused by corrosion of the tang forcing the sections apart.

The brass ferrules help to bind the two sections of the grip together and the decorative end cap serves to keep the pommel securely in place.

Carved decoration on the pommel cap

Not only is the hilt beautifully designed and very nicely made, it is also extremely comfortable to use.

Chinese sword stands

I'm always on the lookout for different ways to display swords. These days, there are more and more Chinese-style stands on the market, but so far I've not been tempted by any that I've seen. Also, I must confess that I've never felt right using Japanese sword stands, they somehow seem inappropriate for displaying Chinese swords. However, with a bit of imagination, one can find other solutions....

Qing jian supported by two Pi Xie

These stands are Shiwan ceramic Pi Xie. Beautiful quality. They are a nice size, very stable, and hold blades at an ideal angle for table-top display.  Bought from an online Feng Shui supplier. 

The sword is a Qing dynasty jian. It has a 26 1/2" blade, brass fittings and a precious wood handle. The blade has numerous battle scars and it has been re-polished many times over it's working life. A very nice sword with superb handling.

Shiwan ceramic Pi Xie

I'm not sure that Feng Shui masters would approve of this particular use of Pi Xie, but they do make very attractive and dramatic sword supports!

Removing rust spots

When removing rust spots from blades it is important to use something that is harder than the rust but softer than the steel blade. Abrasive papers are too hard and will leave scratches in the steel, and surprisingly so will ordinary steel wool. Stainless steel however, is harder than rust but softer than blade steel.

Stainless steel wool and wax modelling tools

So, for removing light rust deposits stainless steel wool is ideal.  This is not usually available at hardware stores but can be obtained from automotive suppliers where it is used for filling exhausts. Thicker accumulations of rust are more difficult to remove but they can be carefully scraped away using stainless steel wax modelling tools and then any remaining rust can be removed with the steel wool.

Knuckle-guard jian

This is a rather unusual sword. Chinese jian blades can be found with a wide variety of hilt fittings, but this is the first time that I've seen one fitted up with a knuckle-guard.

Overall length - 26" [ 660mm] 

Blade length - 21 3/4" [554mm] 

Weight - 627g

The blade is very worn and shows unmistakeable signs of combat. The knuckle-guard is probably not original to the blade. Surprisingly, the sword does play quite well, but of course it is limited in movement by the guard. This somewhat restricts the flexibility of the wrist and has an effect on the balance so that the sword behaves more like a straight bladed zhibeidao than like a jian.

The short grip is made of a dense, light coloured hardwood with a thin coating of lacquer. The wood has been crudely cut to size and no attempt has been made to achieve a smooth finish or to remove any tool marks. None-the-less, the grip is quite comfortable to hold, and the irregular surface seems to be an advantage here.

The fittings are typically Chinese in style. Nicely functional, iron, wrought by hand.

Striking with jian

Chinese jian are single-handed forged steel weapons that were used both for offence and defence.

Jian

The top jian [cf. Japanese sai ] is lozenge-shaped in cross section and the bottom one is square.

The orientation of the guard suggests that it was used to strike with the arris [edge] rather than the flat face of the blade. This approach would be likely to cause more damage as the impact energy would be concentrated along the arris [left pic above], whereas striking with the flat face would cause the energy to be dissipated over the larger area of the flat face [right pic above].

From this it would follow that the most effective way of using any such jian is to strike with the sharp arris. The following examples though, have cross sections which are rectangular [above] and circular [below]. Octagonal cross sections are also found.

These do not have a sharp arris to inflict damage but were no doubt still very effective as testified by the  many antique examples still in existence.

Chinese wooden axe head

This antique wooden axe head is a substantial item, it weighs 1.4 kg and measures 560mm [22'] across.

Originally, this would have been fitted to a short haft, or given the large size of it, it may well have been fitted to a long shaft to make a pole arm. A decorative piece, possibly used for feng shui in a building, possibly used as a prop in Chinese opera. Made of carved hardwood with a thick red-brown lacquer finish:

The motif is Yazi, the seventh son of the Dragon. He is always described as being bloodthirsty and ferocious and so has long been associated with Chinese weaponry.

Yazi, the seventh Son of the Dragon

This particular Yazi is slightly unusual because it has a a fish-like body and tail.....similar to Chiwen, the second son of the Dragon, who has a fishes body and tail but no horns. Also interesting is the snout of this Yazi, which appears to be a long thin proboscis curled in a tight downward-pointing spiral.